Bapo Kale's House
At three o'clock in the
afternoon, the cock that lived at Bapo Kale's house stood on the mud wall of
the compound and decided to crow. He had barely thrown his head back and opened
his beak when a shriek filled the air, as untimely as the crowing of Bapo Kale's
cock and a thousand times shriller. The sound rose to a high pitch and stayed
there as though all the women of Mauxi had decided to scream till Shiva himself
came down.
Bhagi Kale peeped through the
bars of her window and then shook Bapo by the shoulder.
'A bus is coming. And a jeep. And
a car! Wake up!'
Bapo wiped the dribble from the
corners of his mouth and sat up. A bus and a jeep? In this part of Mauxi and at
this time of day? The sound of women and children running came closer. Before
long, there was a knock.
'Come out of the house and get
into the bus!' someone shouted.
'What?' Bapo shouted back,
straining to hear above the sound of the wailing siren.
'This is a drill to remove all
the villagers of Mauxi in case of trouble!'
'Trouble? What trouble?' asked
Bapo, cautiously opening the door as Bhagi hovered near his elbow.
'This is just a practice drill,
if the factory has an accident … Bapo Kale … Bhagi Kale … just two of you, aanh?' asked the short pot-bellied man
at the door with a file and clipboard in hand.
'Baie gou, it's happened, it's happened,' whispered Bhagi in sudden
panic. 'The gas from the factory will kill us. Close the door, close the door,
the gas will come in!'
'Quiet!' Bapo hushed her and
turned to the man with the file. 'Tell me properly … accident has happened or
not happened?'
'No no!' the official shook his
head. 'Nothing has happened.'
'Then why you want us to get in
the bus?'
'You have to. It is a government
order. Everyone in Mauxi has to get in those buses and leave the village within
twenty minutes.'
'What!' The hair in Bapo's
nostrils bristled and his eyes burned with anger. 'Who are you to tell me to
get out of my house and my village? Is this your father's house? Is this the
bastard government's house? I am not going anywhere!'
By this time another man with a
larger pot belly and an even larger file had come up to the door.
'What happened, what is the
matter?' asked the second man.
'He's not moving out.'
'Ye, Bappa, you have to get out. Just for a few hours. This is for
your own good, understand?'
'Few hours? You want to take our
house, don't you?'
'No, no … arre, who wants your house?!'
'You want us to get out so that you
can take our house and our land. I know you fellows very well.'
'Enough, enough, old man,' said
the second officer, as he brusquely shoved open the door and caught Bapo's
shrivelled hand.
'Yehh, chedechya, don't touch me,' shouted Bapo in rage as he pulled away.
'I'll cut off your balls and give you in your hand!' He quickly retreated into
the darkness of the two-room house and emerged after a few moments, holding a
crude country-made gun. Its barrel, generally aimed at wild pigs on Bapo's
hunts, now stared down the two bewildered officials.
'Get out! Get out!' Bapo yelled,
shaking the barrel up and down. The two men ran out of the door and out of the
compound, dropping their files as they ran, just before a blast from Bapo's
shotgun sprayed pellets over their heads.
Bapo went out to pick up the
fallen files and returned to the house.
'Well done,' said Bhagi. 'They
deserved it – thieves!'
Bapo opened a file and held it
close to his nose. 'Can you read this, Bhagi?'
'Yeh, Bappa, since when I can
read, aanh?' laughed Bhagi, showing crumbling, paan-stained teeth.
'I think they are names of all
our people. See this, Bomo, Chimno, Navlo … Gangi …'
'Don't take that Gangi's name. Halkatt! Enough that you had a good time
with her,' fretted Bhagi.
Bapo put the file down and
pretended to fiddle with his gun. He turned his face away so that Bhagi could
not see the wry smile that cracked his parched and shrunken face as his mind
raced back many years.
Outside the window, the sound of
buses faded into the evening, and suddenly Mauxi seemed very quiet.
'Why didn't Dhulo Kharwat tell us
about all this?' asked Bhagi pensively.
'Chehh, Dhulo is a bastard – he
will sell his own wife if he gets a good rate. Didn't he sell Navlo's and Sakri's
land to the factory-wallas? See how he built a big house after becoming panch?
Was he not a cashew worker like us? Can we build even a toilet with our money today
from making brooms?'
After a pause, he continued, 'But
leave all that. This is honest money, Bhagi, money earned from our hands. That
is enough for us.'
After a half-hour, the ominous
sound of a jeep tore through the dusk, and this time two police constables
knocked roughly on Bapo's door.
'Chedyekastache have come back. They will get nothing, nothing from
me.' To bang hard on Bapo Kale's door was to bang on Bapo's heart itself, a
terrible insult to him. He sat still for a while, speechless with growing rage.
As the knocking turned to violent
hammering, Bapo moved the bed from the corner of the room. Digging briskly at
the mud floor, he soon hefted out a small metal box from its hiding place. For
a moment he gazed at the faded lettering on its cover – British Dynamite Co,
Limited – and then gingerly opened it. He drew out one of the smaller sticks
from within and walked to the window. There he struck a match and lit the fuse.
Then, in a swift though rusty movement, he opened the window and flung the
stick out onto the road with all his strength.
But nothing happened. The only
explosive sounds were those of the police at his door.
'Open up or we are breaking the
door!'
'Zakmarnabaiegouhainsaggleanche!' muttered Bapo as he grabbed his
gun and clambered up the ladder to the wooden attic over the main room. He
loaded another shot and stuck his barrel into a gap between the bars of a small
window that overlooked the compound.
'Chedecheanno, I fought the Portuguese under Sinari and Krishnarao
Ranno, okay? You bastards can pluck my pubic hair! Get away from my door!'
Bamm! Another volley of shot
peppered the mud plaster of Bapo Kale's compound. The constables clutched the
walls in terror and slowly edged away to the corner of the house, from where
they fled to their jeep. They thanked their stars when the engine started on
the first try, and they drove out of Mauxi in a hurry. Once out of the village
they slowed down, but continued cursing their superiors and casting vehement
doubts on the legitimacy of their children.
A deathly quiet descended on the
houses of Mauxi, broken only by foxes howling in the dusk. Bapo got to work. He
hammered some planks across the three windows of the house and across the door,
too. At eight o'clock the power went out, plunging the desolate village into
absolute darkness. Bhagi groped around the room a bit and soon, like a
practiced bat in its cave, found the Petromax. She lit it and started making
fresh chapattis.
'Bappa, they might come through
the roof tiles. What we will do then?'
'Don't worry. I will sit with my
gun and shoot them in the arse,' assured a sweating Bapo, as he cleaned his
weapon.
'I have chilli powder to throw in
their eyes,' offered Bhagi as she warmed the afternoon's daal.
'Those sticks have gone damp.
Otherwise those fellows would have gotten a good lesson,' mused Bapo, blowing
into the barrel of his gun. 'They were the last stock from our attack on the
Surla mine – 1955, I think, but can't remember very well now.'
'Keep them in the sun,' advised
Bhagi.
'Yes, yes, keep them in the sun.
Everything, keep in the sun. I will keep my balls in the sun, to warm them for
you,' teased Bapo.
Bhagi's furrowed cheeks crinkled
as she broke into a toothless grin.
'You remember last year Tuko had
come from Sanguem?' Bapo turned serious. 'They told everyone in his village to
go to some new houses, and then the river came all over the old houses –
finished! All their grandfathers' houses gone, sleeping under the water. Tuko
had gone diving near the dam and he says all the houses are as they are, even
the coconut trees.'
Bhagi lay down on the bed,
exhausted from the travails of the day. Bapo sat by her side, keeping an eye on
the roof tiles with his gun at easy reach. In the dim light of the kerosene
lamp, he watched a solitary kattmui
ant make its way from a hole in the mud floor to another in the wall.
'Ye, Bhagi, we have to put a new
coat of cow dung on the floor, aanh,' he said to his wife. But Bhagi was
asleep.
'But don't go out tomorrow,' he
continued nevertheless. 'They may take you. We'll do it after two days.'
Bhagi murmured in her sleep, but
she was dreaming of paddy growing in the fields deep under water, with fish
swimming over blades of rice, their scales flashing now and then in the green
sunlight.
His father had built this mud
house. He remembered stomping in the wet mud along with his father and the
other men, getting the clayey mix ready to cast into the waiting wooden forms.
He had been a boy then, but that smell of wet earth and his father's sweat had
soaked into his memory, and now he had to only touch and breathe close to the
walls of the house to smell his father again.
Over the years Bapo had kept the
house in good repair, plastering it with a fresh coat of mud after the rains,
mixing a few bitter leaves into the mud as his father had taught him, to keep
the termites away.
In the coop on the other side of
the wall, a hen clucked loudly in her dreams. Soon after that the cock clucked
back in the darkness, as though telling her to shut up. Bapo fell asleep.
He woke as a beam of sunlight
peeped through the roof tiles and warmed his cheek. The sound of footsteps
walking past his house roused him further. Still holding his gun, he walked
slowly to the window, now bent over with the ache of sitting up against the
wall all night.
He peeped through the boarded
window, and a tired smile cracked his lips. He came back and sat on the edge of
the bed. Shaking his sleeping wife gently by the shoulder he said – 'I saw
Chimno and Sakri. And Janu and her children. They have come back. They are all
coming back.'
His wife stirred and muttered in
her sleep.
'Wake up, Bhagi. We won, Bhagi,
we won!'
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Such a sensitively written story. Created the atmosphere of a poor Goan village brilliantly. The pathos seeped through amazingly.
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